As Anne Hathaway gears up for the most anticipated sequel of the decade, she isn’t just returning to the screen—she’s reclaiming the fashion throne.
In a charming new “Trivia Quiz” for Harper’s Bazaar, the Oscar winner proved that while Andy Sachs may have started as a fashion outsider, Hathaway herself is now the ultimate insider. Dressed in the quiet luxury that has become her signature, she tackled questions about her storied career, showing a grounded wit that fans have come to adore during her “Hathanaissance.”
The Bulgari Glow: A Global Ambassador in Her Prime
Before she steps back into the hallowed halls of Runway magazine, Hathaway has been busy as the face of Bulgari. Just days ago in Milan, she headlined the unveiling of the jeweler’s Eclettica High Jewelry collection.
Whether she’s draped in the iconic Serpenti coils or sporting the 107-carat Mediterranean Reverie sapphire, Anne has transformed the brand’s Roman heritage into modern-day armor. Her “unexpected wonders” campaign alongside Zendaya set the tone for this era: sophisticated, fearless, and undeniably expensive. It’s a far cry from the cerulean sweater that Miranda Priestly famously dismantled.
Returning to Runway: What We Know About Prada 2
With the official release set for May 1, 2026, the buzz for The Devil Wears Prada 2 is reaching a fever pitch. In her Bazaar cover story, Anne offered a glimpse into the sequel’s updated world:
- The Plot: Andy is no longer the bumbling assistant; she’s a powerhouse editor navigating a digital-first landscape.
- The Advocacy: Proving she’s a “stand-up girl” (as Meryl Streep recently called her), Anne reportedly advocated for more body-positive casting for the film’s runway scenes, ensuring the sequel reflects a healthier industry standard.
- The Dynamic: The final trailers hint at a delicious reversal of fortune, with Emily (Emily Blunt) now a high-level executive whose advertising budget Miranda desperately needs.
“I wasn’t expecting to find another gear at 40,” Hathaway told Bazaar, reflecting on her career’s second act.
